A song of solidarity with the oppressed and excluded that celebrates commitment and full inclusion in the community of faith. Verses were written to be sung by a soloist and then the congregation sings the chorus together. Useful in many different liturgical contexts. Learn More

From singer/songwriter Tracy Howe: "This song reminds us the peace, hope, and love we are longing for to move in our world is also inside of us." Learn More

• The lead sheet product includes lead sheet plus songleader's guide and congregational melody line.
• "I Am For Peace" is from Richard Bruxvoort Colligan's album, "Love Stands With."

Psalm 120 is the voice of the psalmist desperate. At one point in the psalm, the psalmist throws their head back and wails, "I am for peace but whenever I open my mouth, they are for violence!" This is a song for sidewalk, street and capital steps. The rerfain may stand alone at a protest rally or the entire song can be sung to name moments of our lives ready for serious change. Particularly adventurous communities may invent verses that hit home at the time of singing.

This song is licensed via OneLicense.net, CCLI and Worldmaking.net.

"God of the Movements and Martyrs" was written in honor of the 85th anniversary of the North Carolina Council of Churches. the Council was formed in 1935 to address racial injustice, and continues to work for peace, justice, equity, and inclusion. The hymn honors Christians who have been working for a better world for generations, because of their faith, and invites all of us to join in that sacred work. Note: There are several different versions of this song on the CMP site. Each version has it's own product page and related downloads available. It is the same song done if several different styles by several different artists. This particular arrangement by liturgical musician Wil Smith brings this powerful new hymn into the style of traditional congregational hymn. Learn More

This beautiful contemporary hymn seems destined to be a powerful and joyful anthem for congregations committed to honoring the diversity, promise, and Extravagant Welcome that is at the heart of the Gospel. This song makes powerful use of the biblical symbol of the rainbow as a sign of God's sustaining Love and a call for the church to be a diverse people of the full range of Divine Love and Light. CMP is convinced that Canadian composer David Kai has hit a home run with this song, and that this song will be a joyful gift to open and affirming congregations in particular. Learn More

This is a brand new song from Gary, Lenora, and Hannah Rand and their worship band, "The Many."  Among other things this song is their powerful, soulful, and faithful musical response to the violence and death of Charleston, Paris, and Orlando.  The song is a lament, a proclamation of the biblical Truth that whatever we do to someone else, we ultimately do to ourselves, and ends with the hopeful reminder that God "so loves the world" that we can always "find our way to love."  

Piano arrangement coming soon!

Tear Down the Walls is part protest song, part lament and and part personal confession. It gives voice to our laments and our anger at the real world walls that divide us while at the same time allowing us to sing our confession for the walls we build between ourselves and others. The last line of the song is a prayer for our churches, our nation, and our personal relationships. “Tear down the walls … so I can see you… So you can see me, too.” Learn More

"God of the Movements and Martyrs" was written in honor of the 85th anniversary of the North Carolina Council of Churches. the Council was formed in 1935 to address racial injustice, and continues to work for peace, justice, equity, and inclusion. The hymn honors Christians who have been working for a better world for generations, because of their faith, and invites all of us to join in that sacred work. Note: There are several different versions of this song on the CMP site. Each version has it's own product page and related downloads available. It is the same song done in several different styles by several different artists. Learn More

This a cappella song of resistance combines Epiphany themes of the magi avoiding Herod and going home by another way, alongside images from the song of Mary about the powerful being thrown down and the hungry being filled. An easy, catchy refrain with a Celtic feel is easy for groups to learn. The verses can be sung by a soloist or the group. Learn More

• The lead sheet product includes lead sheet plus songleader's guide and congregational melody line. 
• The lyric sheet product is a chord chart.

This song is a reflection on Psalm 109, one of the most angry psalms. The song "Move" invites focused commitment to be active in the work of protest, healing and justice. It also names anger as a natural response to oppression, perhaps a good fuel for change.

This song is licensed voa OneLicense.net, CCLI and Worldmaking.net.

"God of the Movements and Martyrs" was written in honor of the 85th anniversary of the North Carolina Council of Churches. the Council was formed in 1935 to address racial injustice, and continues to work for peace, justice, equity, and inclusion. The hymn honors Christians who have been working for a better world for generations, because of their faith, and invites all of us to join in that sacred work. Note: There are several different versions of this song on the CMP site. Each version has it's own product page and related downloads available. It is the same song done in several different styles by several different artists. Learn More

A powerful new song focusing on ways in which Jesus is present with us in our daily lives and in the world. Once again The Many has provided us with a song that teaches, inspires, and challenges us to live out the compassion, justice, kindness and Extravagant Welcome that is at the heart of the Gospel of Jesus Christ. This song also has a great groove and style and production. Definitely give this one a listen! There is a powerful lyric video available for this song also that makes "Where Jesus Was" especially useful in virtual worship. CCLI Song #7169401 Learn More

This song was originally written as a theme song for a retreat that took place during the Martin Luther King Jr. holiday weekend and that focused on the life and witness of Dr. King.  It underscores the fact that Dr. King's famous "I Have a Dream" speech was rooted in his understanding of the Dream of God.  In addition to working well in the context of worship and in several different liturgical moments in worship services, this song is also often used as a theme for church renewal programs, stewardship campaigns, and as music for videos dealing with issues such as hunger, racism, compassion for the poor, and social justice in a broad sense.

"God of the Movements and Martyrs" was written in honor of the 85th anniversary of the North Carolina Council of Churches. the Council was formed in 1935 to address racial injustice, and continues to work for peace, justice, equity, and inclusion. The hymn honors Christians who have been working for a better world for generations, because of their faith, and invites all of us to join in that sacred work. Learn More

This adaptation of the classic melody, "Every Time I Feel the Spirit" has new lyrics written for Pentecost in 2020 in response to the death of George Floyd and the Black Lives Movement. The rollicking piano arrangement will surely have your congregation feeling the Spirit! Learn More

"God of the Movements and Martyrs" was written in honor of the 85th anniversary of the North Carolina Council of Churches. the Council was formed in 1935 to address racial injustice, and continues to work for peace, justice, equity, and inclusion. The hymn honors Christians who have been working for a better world for generations, because of their faith, and invites all of us to join in that sacred work. Note: There are several different versions of this song on the CMP site. Each version has it's own product page and related downloads available. It is the same song done in several different styles by several different artists. Learn More

Ken Medema borrows the chorus from this well-known African-American spiritual and adds contemporary lyrics in this poignant plea for racial justice and personal repentance. He adds jazzy pianistic flourishes, light percussion, and an improvised solo vocal line over the traditional chorus, which is sung by the choir of the St. John United Church of Christ in Kankakee, Illinois. This piece is suitable for multiple types of gatherings and worship services. Learn More