The song "I Said Rejoice" is a powerful anthem written by Katie Simbala, Cameron Malaki, Rachel Francis, and Steph Hord, four talented queer Christian musicians who have each experienced church hurt and rejection. This song is an expression of their journey to find God in the midst of being outcasted by the traditional church. It speaks to the joy and freedom they have discovered by realizing that they were never rejected by God, despite what others may say. Their personal experiences have shaped this uplifting and empowering song, reminding listeners that their worth and acceptance come from a higher power that cannot be taken away. "I Said Rejoice" serves as a powerful testament to resilience, faith, and finding spiritual solace in unconventional places. Learn More

Ken Medema’s CHORAL SETTING of this original text lets singers give voice to disappointments we all face in this life. If we could make our dreams come true, our world would have no pain, no injustice against the land or any living thing, and no war. How do we face the evils and injuries around us? This anthem encourages us to take up the call of charity, of courage, of shouting down the darkness—all possible when we call on God’s Spirit to infuse our journeys. Our dream world is our walk with God’s presence through this life. With music and lyrics by Ken Medema and the choral arrangement by Ken Medema and Cathy Chamblee, this very accessible S.S.A.T.T.B. anthem is supported by a lyrical flowing piano accompaniment. Useful in many different worship settings, your choir will enjoy challenging your congregation to take up the call of the Spirit in their lives. Because this anthem was composed during the pandemic, a performance recording is unavailable, but you may get to know this anthem through the free MIDI-generated recording available on this website. Learn More

This upbeat Easter song emphasizes hope and resilience and is a particularly good fit for this time in history. The chorus of the song includes the line "In the valley of the shadow, we're the candle in the window, saying Hope will rise again." This song includes springtime nature images in the lyrics. It can also be used throughout Eastertide. Stylistically, this is an Americana song and the chord structure will be accessible for a worship band. A video is available for this song making it particularly useful for virtual worship. This song is part of a package of resources for Holy Week Worship with virtual and in-person options from the award winning worship designers Andra Moran and Suzanne Castle at www.brimproject.com Learn More

On this journey we cannot walk alone. We must share our trials and joys, our stormy paths and our celebrations. Using a memorable melody with a delightful upbeat accompaniment, Ken Medema encourages us to hold hands with a grasp that does not let go as we work for greater understanding and compassion in this world. This song is suitable for congregational singing, especially in informal settings. Learn More

“Healing of the Heart” is an earnest prayer of confession and hope for healing of the heart and soul. It captures the deep, hard-to-ignore wounds to our souls delivered long ago, wondering how we begin the journey on the road to forgiveness with those who have hurt us. Is God with us in this struggle? Ken’s lyrics confront this question and the very difficult task of healing these painful wounds. The personal nature of this song makes it suitable for solo singing accompanied by either piano alone or by a rhythm section. It is highly appropriate when worship topics center on forgiveness, personal struggle, resolution of conflict, and God’s presence when we take up the challenge to walk these difficult paths. Learn More

This song was written specifically for Maundy Thursday, the last night of Jesus's life, and yet it is useful for any time people feel "up against it." One of the Gospels says that after the Last Supper and the foot washing, and after Judas left the table to betray him, Jesus and his disciples sang a hymn together before they left for the garden of Gethsemane. A song that would give Jesus strength to face what he knew the next day was going to mean for him. It is our hope that this song will be a source of strength and courage for those facing a difficult tomorrow. Learn More

"God of the Movements and Martyrs" was written in honor of the 85th anniversary of the North Carolina Council of Churches. The Council was formed in 1935 to address racial injustice, and continues to work for peace, justice, equity, and inclusion. The hymn honors those whose faith has called them to work for peace and justice, past, present, and future, and invites all of us to join in that sacred work. The hymn has been interpreted by several different musicians in different genres and styles. Please explore Convergence Music Project to hear other versions of the hymn. Learn More

"God of the Movements and Martyrs" was written in honor of the 85th anniversary of the North Carolina Council of Churches. the Council was formed in 1935 to address racial injustice, and continues to work for peace, justice, equity, and inclusion. The hymn honors Christians who have been working for a better world for generations, because of their faith, and invites all of us to join in that sacred work. Note: There are several different versions of this song on the CMP site. Each version has it's own product page and related downloads available. It is the same song done if several different styles by several different artists. This particular arrangement by liturgical musician Wil Smith brings this powerful new hymn into the style of traditional congregational hymn. Learn More

"God of the Movements and Martyrs" was written in honor of the 85th anniversary of the North Carolina Council of Churches. the Council was formed in 1935 to address racial injustice, and continues to work for peace, justice, equity, and inclusion. The hymn honors Christians who have been working for a better world for generations, because of their faith, and invites all of us to join in that sacred work. Note: There are several different versions of this song on the CMP site. Each version has it's own product page and related downloads available. It is the same song done in several different styles by several different artists. Learn More