This song springboards off the well known line in the "Lords Prayer," or the "Prayer of Jesus"-- "...Thy Kingdom come." The lyrics prayerfully explore the depths of what that Kingdom or Dream of God is about. Another song that could be a solo or sung by a congregation in several creative ways. Learn More

“Do Not Fear” is a song of God’s love from Lenora and Hannah Rand, as recorded by The Many. There are so many scary things happening all around us, affecting our lives and the lives of those we love. Fear seems to be hard to avoid these days. Here’s a quiet song to sing whether you’re just sitting alone with your fears or you are gathered in community facing these challenging times together. In words inspired by Isaiah 49: 15-17, it is God’s word of assurance to us. Love is greater than fear. God’s love will sustain us. “Can a woman forget her own baby and not love the child she bore? Even if a mother should forget her child, I will never forget you. I have written your name on the palms of my hands” (Isaiah 49:15-17). Learn More

As the title suggests, this piece is a love song to our planet. In the midst of continuous bad news about global warming and natural disasters, this melodic song is filled with the wonder of the Creator's love for all creation and the hope that humanity, recognizing our own place within creation, will join in the song of love for our shared home. Easily singable by soloist, choir, or congregation, Love to Earth will be in your heart and mind long after the music ends. The video, with its majestic images of nature, brings the lyrics to life. Note: Lyric video previews can take up to about 10 seconds to load. Your patience is appreciated. Learn More

A soulful song of lament and confession written by Brian McLaren and sung by Traci Howe Wispelwey. The song expresses deep regret for some of the ways in which we have collectively made choices that have caused great pain to the world, to the earth, to each other, and to ourselves. It ends with a prayer for healing and renewal. Learn More

Ken Medema captures the anguishing prayer of the servant who longs for God's justice in frustrating times and who trusts in God against despair and fear. The song concludes with a comforting reminder that we belong to God. This bluesy song is a setting of Psalm 56 and is best suited to be performed as a vocal solo with piano accompaniment. Look for these additional psalm settings in this series by Ken: "All My Life (Psalm 73)," "It's Good to Give Thanks (Psalm 92)," "We Will Raise Our Eyes (Psalm 121)." Learn More

Ken Medema reminds us where we find our true strength in “We Will Raise Our Eyes”--an upbeat, easy-to-learn song with a contemporary “take” on the text of Psalm 121. In the middle of the song, Ken pairs the famous Hamburg hymn tune with new lyrics about God’s steadfast protection of us. This song can be performed as a congregational chorus or as a solo, and can be accompanied by piano with options to include organ. Additionally, this song is part of a series of psalm settings by Ken that are featured on CMP, including “God I am Beaten, Battered, and Bruised (Psalm 56),” “All My Life (Psalm 73),” and “It’s Good to Give Thanks (Psalm 92)”—each with a different sound and style. Check them out! Learn More

Another of Brian McLaren's pieces from the "Songs For A Revolution Of Hope" project featuring the lead vocals of Tracy Howe Wispelwey. The verses name many of the ways in which this world is embroiled in unjust systems and structures and patterns, and the chorus is a prayer to the God of justice and love to help us do the work of bringing these things back into alignment with the Divine Intention. Learn More

An Advent-Christmas song about the incarnation-- a kind of midrash take on the Jesus birth story. The title comes from theologian Sallie McFague. Learn More

Another one of Brian McLaren's penetrating lyrics sung by Traci Howe Wispelwey. Brian's amazing gift for coming up with fresh language with which to explore Scripture and doctrine and bring biblical Truth to life through song is very evident here. The song is probably more solo than congregational, but could be used liturgically in a number of different ways. Learn More