Archbishop Desmond Tutu defined the Nguni Bantu word "ubuntu" as "I am, because you are." Inspired by these words, Ken Medema uses "ubuntu" in this highly memorable, rhythmically driven song that celebrates the communion shared, the justice done, and the path forward that is possible when we come together to worship God in this fellowship that knows no bounds. This easy-to-learn piece is suitable as a congregational song for a variety of purposes. Learn More

This gorgeous chorus from Christopher Grundy is a poetic invitation to sing the soul's deepest yearnings and longings for union with the Divine.  We have a feeling this one's going to be used widely.  It could be done in a variety of styles and tempos and used both in worship contexts and beyond (another potential great camp song).

The Bread of Life is for everyone, and Ken Medema reminds us of this truth in this upbeat easy-to-learn reminder for believers to stay dedicated to the task of bringing Jesus to the world. This piece can be performed as a solo or as a congregational song accompanied by piano and optional additional rhythm section instruments. It is a suitable song for missions and outreach topics or for communion. Learn More

A simple song that is immediately accessible and easy to pick up. Be sure to listen long enough to hear the beautiful vocal harmonies that Matthew Black uses to really bring this song to life. In a world where fear is used to manipulate and control us in so many ways, this simple reminder that when we are "in God"--we can rest and find deep peace and security. In fact Matt suggests that it is ONLY in God that we can "lie down and not be afraid." This song could be used in lots of different ways liturgically, and Matthew includes the vocal arrangement as a download. Learn More

This is a song of longing for "Green hearts" and gardens that need to be planted. It includes spoken parts in between the repeatable chorus that could be done by various readers within a congregation. This would work well for traditional churches committed to eco-justice and lifestyle changes in order to address climate change and the integrity of Creation. Learn More

This a cappella song of resistance combines Epiphany themes of the magi avoiding Herod and going home by another way, alongside images from the song of Mary about the powerful being thrown down and the hungry being filled. An easy, catchy refrain with a Celtic feel is easy for groups to learn. The verses can be sung by a soloist or the group. Learn More

A song affirming each person's holy worth and our collective siblinghood. Learn More

A wonderful new song based on the "Taste and See" text from Psalm 34.  This is widely used as an invitation to the Table and a song to sing during Holy Communion.
 

This is a very singable and easy to learn chorus by Troy Hatfield, one of the musical leaders of Mars Hill Church in Grand Rapids, MI.  The lyric is a beautiful reminder of Psalm 46:12 which tell us that because God is with us--especially in the midst of trouble--we do not need to be afraid. 

Fear--it's being thrown at us and sold to us and used to manipuate and control folks in so many ways.  We all have our own personal fears as well.  We hope and pray that little choruses like this will help us respond to fear with Spirit-centered love and strength and freedom.

Note:  The audio for this song is a simple live demo at this point.  Troy is finishing up a more produced studio version and we will use that as soon as it is available.  If you purchase this simple demo and want the studio version when it comes out please just let us know.  Also, the song was initially called, "For He Is Here."  Troy was very open to the suggestion that other pronouns and images for God be used so that the song is not exclusively using a masculine image for the Divine.  You'll see our suggestions (God, He, She)  on the lyric pages and sheet music, but the audio here only uses the original male pronoun.  Please "hear" beyond that and imagine repeating the song using "God" for the first verse, "He" for the second, and "She" for the third.