Especially powerful as a Good Friday/Passion Week solo. Pensive and soul-searching, with reflections of Psalm 22, Romans 7, and the Passion Story. Without using scapegoat theology, it looks at what our lack of faith does to God’s heart. Originally with soft guitar accompaniment, the new piano arrangement adds soulful versatility. Learn More

New CHORAL SETTINGS of “Come Thou Fount of Ev'ry Blessing” from Ken Medema offer your choirs a fresh “take” on this classic hymn! Ken’s energizing new melody is set with a rhythmic piano part with optional hand drums and body percussion so everyone can get involved in the performance! This joyous, spirited anthem, arranged by Ken Medema and Cathy Chamblee, is available for S.A.T.B. or for S.S.A. choir and is sure to become a favorite for your singers and your congregation. Because these two settings of this anthem were composed during the pandemic, a performance recording is not available, but you may become acquainted with this piece through the free MIDI-generated recording available on this website. Learn More

“Healing of the Heart” is an earnest prayer of confession and hope for healing of the heart and soul. It captures the deep, hard-to-ignore wounds to our souls delivered long ago, wondering how we begin the journey on the road to forgiveness with those who have hurt us. Is God with us in this struggle? Ken’s lyrics confront this question and the very difficult task of healing these painful wounds. The personal nature of this song makes it suitable for solo singing accompanied by either piano alone or by a rhythm section. It is highly appropriate when worship topics center on forgiveness, personal struggle, resolution of conflict, and God’s presence when we take up the challenge to walk these difficult paths. Learn More

Quiet Place is from the EP, Have Mercy, from The Many and has been featured as the theme music for Lament Together, the Wednesday night online gatherings hosted by The Many. This is a beautiful, meditative song that can help prepare our hearts and minds to be still, to seek God in the quiet and to express our desire to know God and to learn God’s way. It is perfect as a frame for prayer, or as a prayer response. The piano score alone is an effective underscore to times of lament or congregational prayer. Useful throughout the church year, this song is particularly effective in Lent or Holy Week. Learn More

Ken Medema sets this traditional hymn with a lovely pianistic accompaniment designed to focus our attention on the hymn's fervent prayer for God's healing for the ways our hearts fall short because of our selfish ambitions and personal agendas. We need God's healing to be able to serve this hurting world. This musical setting is suitable for a variety of congregational gatherings. Learn More

Ken Medema borrows the chorus from this well-known African-American spiritual and adds contemporary lyrics in this poignant plea for racial justice and personal repentance. He adds jazzy pianistic flourishes, light percussion, and an improvised solo vocal line over the traditional chorus, which is sung by the choir of the St. John United Church of Christ in Kankakee, Illinois. This piece is suitable for multiple types of gatherings and worship services. Learn More

A song to help us confess what's "off" in a way that's Real and True and soulful and kind of gritty. The verses are in spoken word format, and there is a sung refrain for the congregation. While the spoken word poetic form gives this a contemporary edge, the song ends with the traditional liturgical prayer of confession which many will recognize. Learn More

A song of confession and forgiveness reflecting on Psalm 51. Learn More

Tear Down the Walls is part protest song, part lament and and part personal confession. It gives voice to our laments and our anger at the real world walls that divide us while at the same time allowing us to sing our confession for the walls we build between ourselves and others. The last line of the song is a prayer for our churches, our nation, and our personal relationships. “Tear down the walls … so I can see you… So you can see me, too.” Learn More