• The lead sheet product includes lead sheet plus songleader's guide and congregational melody line. 
• The lyric sheet product is a chord chart.

"We've had our fill of hatred..." the song sings. "We look to you for mercy." This song is a reflection on Psalm 123, a prayer of surrender in the midst of honest struggle.

This song is licensed via OneLicense.net, CCLI and Worldmaking.net.

This song is built on some quotes from Dorothy Day and Mother Teresa. It feels especially relevant in times when the world is falling apart . . . and it invites us to dare to believe that these unsettling times create the conditions for a new world to be built by loving hands and loving hearts. Brian McLaren (brianmclaren.net) wrote the original song, and then Fran McKendree offered his magic with this arrangement and recording: https://franmckendree.com/ Learn More

This is a brand new song for Advent 2016 from The Many.  We're really excited about this one!  So timely in light of all that's going on in the world right now.  This beautiful, singable, easily accessible song could work as an anthem, a congregational song, or a solo.  It taps into the Advent themes of waiting and longing for God to come, act, and bring about Divine justice.  And yet it is also a call to action, love, service, and hope while we wait. 

Thanks for another GREAT song Gary, Lenora, and Hannah Rand!

A beautiful new piano based song that will work well as a congregational song or a choral anthem. The music and lyrics are a gentle and soulful reminder of God's presence and grace and how God leads us into healing and hope. The chorus is a prayer for God to "light my step" and to be open to the leading and guidance of the Spirit. Learn More

From the Composer Sherri Hansen... "This is a very special song that was written for a friend of mine during a difficult time in her life. It draws from two of my favorite Psalm passages: 27:14 and 71:20-21. Its a song about longing and waiting for God when questions remain unanswered and pain and suffering appear endless. It can be used as either a congregational or solo artist piece during any season, but the theme of waiting is especially appropriate for Advent. The bridge which utilizes Psalm 71 could be skipped to the end chorus: “God give me patience, God give me strength.” I love doing it with an overlay of the initial verse: “I wait for you God, my soul waits” which I’ve had a soloist sing over the end chorus or divided it between the assembly. The sections also may be repeated as many times as desired. Hopefully, this provides several options and flexibility depending on your needs and circumstances." Learn More

This song was written specifically to match the "Day 5" Scripture and Theme of the 2018 "Beyond Belief" Outdoor Ministries Camp curriculum published by Chalice Press. The Scripture is the amazing encounter of Jesus and the Syrophoenician Woman in Mark 7:24-30, and the theme for the day is "What If We Speak Up?" Sometimes speaking up is hard and requires courage and strength to "find our voices." This song is a prayer for that courage and grace and the ability to know when it's time to speak up. Learn More

From Brian McLaren:  "In The Great Spiritual Migration, I propose that we imagine the local congregation as a school of love.  It's quite surprising how few songs we have that deepen our understanding of and commitment to the primacy of love;  I hope this song can help in this regard.  I also felt (aided by the strange and horrible 2016 election cycle) that we need to name greed, hate, and fear as deadly diseases of which love is the cure.  People constantly sell products and win elections using the currency of greed, hated and fear;  we need to expose that as a counterfeit currency and celebrate the power of love instead."

From CMP: Brian McLaren was on a road Sabbatical for the first 8 months of 2016.  During this time away from the grind of constant travel and preparation for live events Brian wrote, rewrote, compiled, and recorded demos (not finished studio recordings) of 21 songs.  9 of these demos are currently available here on the CMP site, and we are in the process of creating lead sheets and piano arrangements for them.  If you would like to purchase this entire collection of Brian's demo's, lyrics, and some notes he wrote about each song (21 songs for $18) please email Bryan Sirchio, CMP Lead Designer, and he will send you a link you can use to purchase Brian's entire collection.

The song "I Said Rejoice" is a powerful anthem written by Katie Simbala, Cameron Malaki, Rachel Francis, and Steph Hord, four talented queer Christian musicians who have each experienced church hurt and rejection. This song is an expression of their journey to find God in the midst of being outcasted by the traditional church. It speaks to the joy and freedom they have discovered by realizing that they were never rejected by God, despite what others may say. Their personal experiences have shaped this uplifting and empowering song, reminding listeners that their worth and acceptance come from a higher power that cannot be taken away. "I Said Rejoice" serves as a powerful testament to resilience, faith, and finding spiritual solace in unconventional places. Learn More

This is a song of longing for "Green hearts" and gardens that need to be planted. It includes spoken parts in between the repeatable chorus that could be done by various readers within a congregation. This would work well for traditional churches committed to eco-justice and lifestyle changes in order to address climate change and the integrity of Creation. Learn More

A brand new song by CMP's number one selling artist, "The Many." This one is a prayer of longing to be able to trust and believe that God's Love is present and real despite all our questions, doubts, weariness, and fear. Learn More

"God of the Movements and Martyrs" was written in honor of the 85th anniversary of the North Carolina Council of Churches. the Council was formed in 1935 to address racial injustice, and continues to work for peace, justice, equity, and inclusion. The hymn honors Christians who have been working for a better world for generations, because of their faith, and invites all of us to join in that sacred work. Note: There are several different versions of this song on the CMP site. Each version has it's own product page and related downloads available. It is the same song done if several different styles by several different artists. This particular arrangement by liturgical musician Wil Smith brings this powerful new hymn into the style of traditional congregational hymn. Learn More

“Healing of the Heart” is an earnest prayer of confession and hope for healing of the heart and soul. It captures the deep, hard-to-ignore wounds to our souls delivered long ago, wondering how we begin the journey on the road to forgiveness with those who have hurt us. Is God with us in this struggle? Ken’s lyrics confront this question and the very difficult task of healing these painful wounds. The personal nature of this song makes it suitable for solo singing accompanied by either piano alone or by a rhythm section. It is highly appropriate when worship topics center on forgiveness, personal struggle, resolution of conflict, and God’s presence when we take up the challenge to walk these difficult paths. Learn More

This is a very singable and easy to learn chorus by Troy Hatfield, one of the musical leaders of Mars Hill Church in Grand Rapids, MI.  The lyric is a beautiful reminder of Psalm 46:12 which tell us that because God is with us--especially in the midst of trouble--we do not need to be afraid. 

Fear--it's being thrown at us and sold to us and used to manipuate and control folks in so many ways.  We all have our own personal fears as well.  We hope and pray that little choruses like this will help us respond to fear with Spirit-centered love and strength and freedom.

Note:  The audio for this song is a simple live demo at this point.  Troy is finishing up a more produced studio version and we will use that as soon as it is available.  If you purchase this simple demo and want the studio version when it comes out please just let us know.  Also, the song was initially called, "For He Is Here."  Troy was very open to the suggestion that other pronouns and images for God be used so that the song is not exclusively using a masculine image for the Divine.  You'll see our suggestions (God, He, She)  on the lyric pages and sheet music, but the audio here only uses the original male pronoun.  Please "hear" beyond that and imagine repeating the song using "God" for the first verse, "He" for the second, and "She" for the third.